There are many reasons for shooting Raw, high resolution motion... from the substantial image benefits that come with downsampling, shot stabilising and reframing options, the future proofing of rushes, the rich grading depth of 16 bit colour, the extended exposure latitude, the 'softer' rendering that added resolution affords and last but not least the camera's potential to generate stills from motion.
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Working on visionary filmmaker Darren Aronofsky's 'One Strange Rock' was an extraordinary photographic journey. The reach of the series was bold and ambitious and the extensive creative team from Nutopia that produced it an inspiration to work with. Filming with the astronauts and hearing their perspective on our planet was fascinating... particularly the extensive work I got to do with the legendary Chris Hadfield a man who has photographed our planet so beautifully from space.
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